Peking opera @ WIKI
NOT MY RIP, THANKS TO ORIGINAL UPLOADER.
EAC, LOG, CUE， SCANS, ENGLISH/CHINESE TRACKS
INSPIRED BY SOME CHINESE TRADITIONAL MUSIC LOVERS!
Friday, November 25, 2011
中國京劇有聲大考 [30 CD]
The Vocal Art Of Chinese Beijing Opera (1910-1990) [30 CD]
Peking opera @ WIKI
NOT MY RIP, THANKS TO ORIGINAL UPLOADER.
EAC, LOG, CUE， SCANS, ENGLISH/CHINESE TRACKS
INSPIRED BY SOME CHINESE TRADITIONAL MUSIC LOVERS!
Peking opera @ WIKI
NOT MY RIP, THANKS TO ORIGINAL UPLOADER.
EAC, LOG, CUE， SCANS, ENGLISH/CHINESE TRACKS
INSPIRED BY SOME CHINESE TRADITIONAL MUSIC LOVERS!
Monday, November 14, 2011
Wilhelm Backhaus @ Biddulph [5 CD]
Here are the entire colletion of Backhaus's recordings on Biddulph.
The last one with scans is not my rip, I got it years ago via emule.
Thanks to the original uploader.
For my rip,
EAC, FLAC, CUE, LOG, NO SCAN
The last one with scans is not my rip, I got it years ago via emule.
Thanks to the original uploader.
For my rip,
EAC, FLAC, CUE, LOG, NO SCAN
The Art of Artur Schnabel Vol. 09 - Beethoven - Diabelli Variations
This is my rip of the ninth volume of The Art of Artur Schnabel which is released by Toshiba EMI and 新星堂 almost a decade ago.
If you were a super Schnabel fan, you probably had already noticed
If you were a super Schnabel fan, you probably had already noticed
Friday, November 11, 2011
中國道樂 (Taoist Music) [22 CD]
Hi, here are 22 CDs of Taoist music.
This collection is too rare to find proper cover for every one. So I did not put any cover inside of the archive.
Special thanks to 白雲深處有人家
01、三清勝境
02、仙樂集
03、迎仙客
04、蓬萊仙韻
05、洞經古樂1
06、洞經古樂2
07、天師府早晚堂
08、蘇州道樂
09、全真正韻1
10、全真正韻2
11、全真正韻3
12、全真正韻4
13、龍虎山道樂
14、武當山道樂
15、茅山道教音樂
16、上海道樂
17、清微道宗 三官經
18、清微道宗 北斗經
19、清微道宗 南斗經
20、清微道宗 玉樞經
21、清微道宗 玄門功課早課
22、清微道宗 玄門功課晚課
This collection is too rare to find proper cover for every one. So I did not put any cover inside of the archive.
Special thanks to 白雲深處有人家
01、三清勝境
02、仙樂集
03、迎仙客
04、蓬萊仙韻
05、洞經古樂1
06、洞經古樂2
07、天師府早晚堂
08、蘇州道樂
09、全真正韻1
10、全真正韻2
11、全真正韻3
12、全真正韻4
13、龍虎山道樂
14、武當山道樂
15、茅山道教音樂
16、上海道樂
17、清微道宗 三官經
18、清微道宗 北斗經
19、清微道宗 南斗經
20、清微道宗 玉樞經
21、清微道宗 玄門功課早課
22、清微道宗 玄門功課晚課
宋徽宗赵佶 （1082 - 1135）— 瑞鹤图
蔡小月 & 台南南聲社 - 南管散曲 [6 CD]
Chine. Nan-kouan - Ballades chantées par Tsai Hsiao-yüeh Vol. 1-6
這套Ocora想必喜歡南管的人都聽過吧！（甚至是唯一聽過的）
大家把這套捧的很高，我個人覺得只是因為這是唯一人們能聽到。有了王心心，大家又喜歡上了王心心，南管的東西畢竟太少了。以後我會把我的20+CD 南管給大家分享的。
大家喜歡蔡小月卻一直沒有她的消息，這是爲什麽呢？其實在十幾年前，蔡小月就因兒子債務問題遠逃海外，音訊全無。所以我並不覺得她是一個令我尊敬的文化堅持者。
讀者有台妹么！能介紹點北管么！！！
For English tracklists and some other information
“
Nan-kuan, the "Southern Style" music of China, is virtually unknown in the Western world and almost forgotten in its own country. Yet it remains one of the few forms of authentic ancient Chinese music that have survived the profound cultural transformations of the last hundred years. The origins of Nan-kuan may be traced to the court music, ballads and dances, of the Sung period (960-1278). However, Nan-kuan in its present form developped in the South of the province of Fukien.
The basic form of Nan-kuan is the ballad (ch'u), a pure expression of courtly love written in free vernacular verse. The ballads come from ancient romances such as the famous Story of the West Chamber (Hsi-hsiang chi). The words interpret the feelings of the lover, evoking the beloved one with poetic imagery and lamenting his or her absence. This repertory is not unlike that of our late medieval troubadors. This similarity does not limit itself to the ballads: the orchestration is also quite close to the musical ensembles of our 13th and 14th centuries. The cultural traditions of Nan-kuan as a noble form of music of an educated elite, also confirms the ressemblance between Nan-kuan and the music of the minstrels.
”
這套Ocora想必喜歡南管的人都聽過吧！（甚至是唯一聽過的）
大家把這套捧的很高，我個人覺得只是因為這是唯一人們能聽到。有了王心心，大家又喜歡上了王心心，南管的東西畢竟太少了。以後我會把我的20+CD 南管給大家分享的。
大家喜歡蔡小月卻一直沒有她的消息，這是爲什麽呢？其實在十幾年前，蔡小月就因兒子債務問題遠逃海外，音訊全無。所以我並不覺得她是一個令我尊敬的文化堅持者。
讀者有台妹么！能介紹點北管么！！！
For English tracklists and some other information
“
Nan-kuan, the "Southern Style" music of China, is virtually unknown in the Western world and almost forgotten in its own country. Yet it remains one of the few forms of authentic ancient Chinese music that have survived the profound cultural transformations of the last hundred years. The origins of Nan-kuan may be traced to the court music, ballads and dances, of the Sung period (960-1278). However, Nan-kuan in its present form developped in the South of the province of Fukien.
The basic form of Nan-kuan is the ballad (ch'u), a pure expression of courtly love written in free vernacular verse. The ballads come from ancient romances such as the famous Story of the West Chamber (Hsi-hsiang chi). The words interpret the feelings of the lover, evoking the beloved one with poetic imagery and lamenting his or her absence. This repertory is not unlike that of our late medieval troubadors. This similarity does not limit itself to the ballads: the orchestration is also quite close to the musical ensembles of our 13th and 14th centuries. The cultural traditions of Nan-kuan as a noble form of music of an educated elite, also confirms the ressemblance between Nan-kuan and the music of the minstrels.
”
雨果的地水南音 [6CD]
雨果的地水南音系列我在之前的博客已經發過一遍了，今天再發一遍。 去年？雨果發行了唐小燕的《李清照》，但大概是因為是昂貴的LPCD，加上是相對冷門的地水南音，所以國內的沒什麼興趣。所以至今也沒看到像其他雨果唱片一樣，一面試就有人傳網上了。
另外杜煥的《漂泊香江五十年》的錄音在土豆優酷上已經有了試聽，但音質只有64，所以我並不打算發佈出來。
Naamyam From Hugo (6 CD)
lossless, no scan
另外杜煥的《漂泊香江五十年》的錄音在土豆優酷上已經有了試聽，但音質只有64，所以我並不打算發佈出來。
Naamyam From Hugo (6 CD)
lossless, no scan
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